Damnable Tales: A Folk Horror Anthology

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The Withered Arm was also a very interesting story, with almost a time travel/sensing the future paradox of the two main characters harming each other unintentionally, in ways that depend on the actions of the other... And the idea of someone having magical powers beyond their control, that others are more aware of than they are, was really well done Over all this book was a disappointment. I went in with such high expectations; I saw it on the shelf in Waterstones (yes brought new which makes it even more disappointing) and did a wee happy jiggy dance. I had never seen a Folk Horror anthology before, and especially one that was so beautifully illustrated. So therefore it had to be mine. Perfect Gothtober reading I thought. the most memorable part of this story is that the narrator kept calling his wife "p***y" and that made me laugh

Egyébként meg úgy tűnik, csináltak egy horrorműfajt direkt nekem. Illetve ha valaki az eddigi ajánlóim alapján úgy gondolja, hogy az enyémhez hasonló az ízlése, akkor neki is. The subtitle says ‘A Folk Horror Analogy’, and that description is kind of loose, since some of the tales are more folky than others, and a few are dubiously horrific at all. And what a book it is: a considerable and considered selection, and delivered handsomely. When I heard it was being crowd-funded I was a bit wary of what the quality would be like, but there’s no complaint here. It is solidly constructed and well presented. The subtle touch of adding an earthy red to some of the chapter openings is just a little thing, but I found it nice attention to detail. And the illustrations are superb. Sharply printed, and the old woodcut style suits the material. There is a quirkiness and humour to some which suits folk horror tales really well, yet – even so – the image for Robert Louis Stevenson’s ‘Thrawn Janet’ is rather disturbing (and also my favourite illustration in the book). This anthology of Folk Horror Tales curated and illustrated by Richard Wells, has the most hauntingly beautiful imagery to accompany diverse and Damnable Tales about the horrors of the ages. Overall a disappointing collection, just because something is set in the wilderness and maybe has a wee bit of devil worship (hail Satan) does not make it Folk Horror. A fabulous opportunity wasted.The Lady on the Grey" - John Collier. Playboy proud of his list of conquests tries to catch up with his main competition. This was probably the most fun story in the collection. All Hallows" - Walter de la Mare. Wandering traveller learns of strange influences at work on a rural church. The author uses powerfully suggestive phrases to create an atmosphere of oppressive dread.

written in f*****g annoying Northumbrian dialect but still pretty good. i found that either reading it out loud or consciously in my head helped This a beautiful book with some real gems of stories. Every story is accompanied with its own linocut by Richard Wells add something really special as well. Van az a pár ezer éves gondolat, hogy az ember annál boldogabb életet él, minél közelebb élhet a természethez. Körülbelül ugyanennyi ezer éves a kritikája is, de az ritkán zavarja a vágyakozókat. Akiknek adott esetben, ha elég okosan kezelik a helyzetet, akár igazuk is lehet. Sőt, még érvényes, jól működő filozófiákat is építhetnek erre a gondolatmenetre, ezt tették a romantikusok is, Atlanti-óceánon innen és túl. Ez azonban nem változtat azon, hogy a legtöbben annyit fognak fel ebből a gondolatmenetből, hogy vidéken tisztább, szebb és derűsebb az élet, az emberek mind szeretik egymást, a családtagok összetartanak, a halált és a születést egy körforgás részeként, harmóniában élik meg, az egyénieskedő elhajlásokat jótékonyan megfékezi a hagyományokon őrködő közösség, az agressziót pedig kiélik kapálás közben. Vagy ha ma nem is így van már, akkor is létezett ilyen időszak hosszú-hosszú ideig. But as this collection shows, writers of uncanny fiction were dabbling in the dark side of folklore long before those films. These 22 stories take the reader beyond the safety and familiarity of the town into the isolated and untamed wilderness. Unholy rites, witches’ curses, sinister village traditions and ancient horrors that lurk within the landscape all combine to remind us that the shiny modern, urban world might not have all the answers…I had to keep pulling myself away from it so I didn't finish it in one sitting . . . An incredible book' Annie Kapur, Vocal Media And the rest of the stories? Dull and mediocre at best. And not in anyway horrific. I feel that the editors idea of what Folk Horror is, is vastly different to mine. Man-Size in Marble" - Edith Nesbit. A young couple new to the country learns why they can't "keep good help"! This is a great story, and one of the oldest in the collection- Nesbit was writing at the same time as Arthur Conan Doyle! While her contemporaries were cranking out Victoriana Nesbit delivers her tale in a strikingly modern style that reminded me of Bernard Taylor's best. Hogy ennek mi köze a folk horrorhoz? Az, hogy a folk horror – ha jól értelmezem – pont ennek a felfogásnak ad egy piszkos nagy pofont, de úgy, hogy a fal adja a másikat. És még csak nem is nyers erőből adja, hanem ügyesen és kiszámítottan.